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Iconography of the Virgin and Child in French Artistic Tradition
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Iconography of the Virgin and Child in French Artistic Tradition

Original title : VLOBERG (Maurice) The Virgin And Child In French Art
  • 1934
  • 170 p.
  • 4 plates

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About this book

VLOBERG (Mauritius) The Virgin and Child in French Art. Grenoble, B. Arthaud, 1934; quarto format, beautiful half-leather binding with gilt edges, 170 pp. + 4 plates out of text, 142 pp. + 4 inserted plates, original cover preserved. Introduction by R. P. DONCOEUR. Numerous black and white illustrations and color plates integrated throughout and separately inserted (cover features watercolors by…

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This copy

At a glance

Date
1934
Pagination
170 p.
Illustrations
4 plates

Bookseller’s description

VLOBERG (Mauritius) The Virgin and Child in French Art. Grenoble, B. Arthaud, 1934; quarto format, beautiful half-leather binding with gilt edges, 170 pp. + 4 plates out of text, 142 pp. + 4 inserted plates, original cover preserved. Introduction by R. P. DONCOEUR. Numerous black and white illustrations and color plates integrated throughout and separately inserted (cover features watercolors by Robert LANZ, inset enhanced drawings by Charles JOUAS, red chalk studies by TEISSEIRE).

The bookseller’s original description (in French)

VLOBERG (Mauritius)
The Virgin and Child in French Art.

Grenoble, B. Arthaud, 1934; in-4°, beautiful half-leather binding, gilt head, 170 pp. + 4 pl. out of text, 142 pp. + 4 pl. inserts, cover preserved.

 Introduction by R. P. DONCOEUR. Numerous illustrations in black and white and some in color in and out of text (cover: watercolors by Robert LANZ, inset: enhanced drawings by Charles JOUAS, red chalk by TEISSEIRE

VLOBERG (Mauritius) The Virgin and Child in French Art. Grenoble, B. Arthaud, 1934; in-4°, beautiful half-leather binding, gilt head, 170 pp. + 4 pl. out of text, 142 pp. + 4 pl. inserts, cover preserved.  Introduction by R. P. DONCOEUR. Numerous illustrations in black and white and some in color in and out of text (cover: watercolors by Robert LANZ, inset: enhanced drawings by Charles JOUAS, red chalk by TEISSEIRE

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