GOURIET, Jean-Baptiste. Le chalet de Clichy, roman historique. Paris: Eymery Alexis, 1820. Gehefteter Einband, Duodezformat, ungeschnitten, beschädigte Titelrückseite, kleiner Schnitt am Kopfschnitt. Kollation: 3 Vorbemerkungsblätter + gefalteter Kupferstich + 218 Seiten. Authentische Geschichtserzählung des Clichy-Hauses, einer bescheidenen Behausung des Winzers Morisset, die 1819 von einem wohlhabenden Nachbargrundbesitzer unter dem Vorwand des Ausblicks abgerissen wurde. Der Vorfall erregte große Empörung und führte zu einer Subskriptionskampagne für ihren Wiederaufbau. Mit gefalteter lithographischer Titelillustration, die die Abrissszene darstellt. Gewidmet den Subskribenten, die zum Wiederaufbau des Hauses beitrugen.
Originalbeschreibung des Antiquars (auf Französisch)
Gouriet Jean-Baptiste
The Clichy cottage, new history
Eymery Alexis, Paris 1820, brooch, in 12, untrimmed, damaged half-title page, small cut in crown, x93In 12 binds 3ff + folding engraving + 218 pp. With the engraving which represents the cottage demolished by order of the authority.
Dedicated to the people who subscribed to his recovery. Authentic story told of the Clichy cabin, a hovel owned by a winegrower named Morisset, and which a rich neighboring owner had demolished in 1819 on the pretext that it obstructed his view. The affair aroused immense indignation and a subscription was organized for its reconstruction. The folding lithograph frontispiece shows the scene of the demolition.
Gouriet Jean-Baptiste The Clichy cottage, new history Eymery Alexis, Paris 1820, brooch, in 12, untrimmed, damaged half-title page, small cut in crown, x93In 12 binds 3ff + folding engraving + 218 pp. With the engraving which represents the cottage demolished by order of the authority. Dedicated to the people who subscribed to his recovery. Authentic story told of the Clichy cabin, a hovel owned by a winegrower named Morisset, and which a rich neighboring owner had demolished in 1819 on the pretext that it obstructed his view. The affair aroused immense indignation and a subscription was organized for its reconstruction. The folding lithograph frontispiece shows the scene of the demolition.
